7/12/2023 0 Comments A serbian film baby scene![]() ![]() ![]() Pasolini’s similarly disturbing Salò bemoaned the manner in which fascism cultivates a world with two classes and no exploitative limits one suspects from the title that A Serbian Film’s raucousness is meant to be taken as an analogous socio-political salvo. ![]() The filial kink and corporeal grittiness set out not to offend our rubric of taste, but to dismantle it, and thereby reveal the pensively anthropological nuance of their grotesqueness. With sickeningly smooth digital cinematography and a terminally rusted conscience, the film pummels an assembly line of taboos beyond the point of recognition-indeed, nearly beyond perversion. The rare piece of transgressive art that’s more grimly meditative than satirical or allegorical, A Serbian Film’s most daring aspect may be the muddle of soul-searching it demands from its audience.
0 Comments
Leave a Reply. |